1957's Where Are You? was the first of those to go without the angular, artful arrangements of Nelson Riddle, instead putting Gordon Jenkins in the arranger's chair. Frank Sinatra's reputation as a masterfully melancholy "saloon singer" rests largely on the torch song concept albums he made for Capitol Records in the '50s. Tonal Harmony with an Introduction to Twentieth-century Music (7th ed.). ^ Kostka, Stefan Payne, Dorothy Almén, Byron (2013)."History and Analysis of 'Autumn Leaves' ". ^ "Les Feuilles mortes Cora Vaucaire".The Jazz Standards: A Guide to the Repertoire. The song is heavily referenced in "La Chanson de Prévert", a song by Serge Gainsbourg. In 2012, jazz historian Philippe Baudoin called the song "the most important non-American standard" and noted that "it has been recorded about 1400 times by mainstream and modern jazz musicians alone and is the eighth most-recorded tune by jazzmen." Ĭomposer Terry Riley has written a contrafact of the song (1965), using the same principle of small repetitive cells of melody and rhythm first put in use in his breakthrough piece, In C (1964). in 1955, the first piano instrumental to reach number one. Roger Williams made the song a number-one hit in the U.S. It was also quickly adopted by instrumental jazz artists including Artie Shaw (1950), Stan Getz (1952), Erroll Garner and Ahmad Jamal (separately in 1955), Duke Ellington (1957), Cannonball Adderley and Miles Davis, Vince Guaraldi (all 1958), and John Coltrane (1962, maybe earlier). The song was recorded steadily throughout the 1950s by leading pop vocalists including Steve Conway (1950), Bing Crosby (1950), Nat King Cole (1955), Doris Day (1956), and Frank Sinatra (1957). Structure and chord progression Īs a jazz standard, "Autumn Leaves" has accumulated more than a thousand commercial recordings. Mercer was a partner in Capitol Records at the time, and Capitol recording artist Jo Stafford made the first English-language recording in July, 1950. Johnny Mercer wrote the English lyric and gave it the title "Autumn Leaves". The first commercial recordings of "Les Feuilles mortes" were released in 1950, by Cora Vaucaire and by Yves Montand. Kosma was influenced by a piece of ballet music, "Rendez-vous" written for Roland Petit, performed in Paris at the end of the Second World War, large parts of the melodies are exactly the same, which was itself borrowed partially from "Poème d'octobre" by Jules Massenet. The poem was published, after the death of Jacques Prévert, in the book " Soleil de Nuit" in 1980. They collaborated on the song Les Feuilles mortes ("The Dead Leaves") for the 1946 film Les Portes de la nuit (Gates of the Night) where it was sung by Irène Joachim and Yves Montand. Kosma was a native of Hungary who was introduced to Prévert in Paris. An instrumental version by pianist Roger Williams was a number one best-seller in the US Billboard charts of 1955. " Autumn Leaves" is a popular song and jazz standard composed by Joseph Kosma in 1945 with original lyrics by Jacques Prévert in French (original French title: " Les Feuilles mortes"), and later by Johnny Mercer in English. Jacques Prévert (French), Johnny Mercer (English) Song by Jacques Prévert and Joseph Kosma, English lyrics by Johnny Mercerġ946 by Enoch & Cie ( Enoch (édition musicale) ) 1946 song by Joseph Kosma "Les Feuilles mortes"
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